When everything is content, nothing is cherished. This is the quiet crisis at the heart of the AI revolution—not just what it creates, but what it devalues. If machines can produce images, lyrics, voices, videos, novels, even faces… what then holds worth? The answer may be simpler than we think. In a world saturated with synthetic simulation, the rarest commodity becomes not spectacle—but presence . Not just what is seen, but who is actually there . We are entering an age whe

Not every tool is a threat. To say that AI spells the end of art is to forget what art has always done: adapt. The quill gave way to the press. The easel gave way to the lens. The silent film gave way to sound, then color, then code. And each time, the true artist did not vanish—they evolved. So too with this moment—I hope. AI, for all its unnerving potential, also offers something extraordinary: an infinite palette. Never before has a lone creator had access to so much power

It’s one thing to replace a paintbrush. It’s another to replace the painter. And yet that’s the line we now approach—not with caution, I might add, but with fervent expectation. With excited curiosity. Already we have talent agencies fighting to represent an AI actress, an AI music artist, and the AI “art” they generate. So, I suppose I should amend my assertion—we are not approaching the line, we are tumbling over it, full steam. The real danger of artificial intelligence (a

They will not sound the alarm. There will be no sirens, no president at the podium, no historic headline in bold font. And yet the earthquake has already begun. You can feel it if you’re paying attention—the hum beneath the stage. The trembling of a long-settled ground. The rules are breaking, not suddenly, but systemically. Entire industries that once dictated taste, craft, and meaning are being unseated not by revolt, but by code. This is the quiet apocalypse of entertainme

Downtown Houston was alive with energy this past weekend as Mont Lux member Terry Weaver  unveiled his first feature film, The Beast of...

The streaming model, dominated by Spotify-style micropayments, has flattened genres and favored volume over depth. But cracks are forming.

We are not just watching the evolution of genres — we are witnessing the evolution of delivery itself as genre.

The platform may be modern, but the logic is ancient. It is Schumpeterian creative destruction, yes—but also selective resurrection.

Every delivery method of entertainment implies a path to monetization, and that path shapes the creative act. When revenue comes from...

"The medium doesn’t just carry the message—it molds it."

On March 6th, Mont Lux officially raised its glass to the future. Held at a hidden speakeasy tucked away in The Woodlands, TX, the club’s...

Texas continues to prove itself as fertile ground for the film industry, with yet another high-profile production choosing the Lone Star...

Hollywood is on the move, and much of it is leaving California. From the rise of streaming platforms to union strikes and a series of...

Marvel Studios pulled out all the stops for the world premiere of Deadpool & Wolverine , transforming New York City into a star-studded...

Ryan Holland made a memorable appearance at the International Christian Film & Music Festival (ICFF ‘24) this May, where he co-starred in...